About BMC 277: Media and Diversity

This course asks students to critically examine the role of the media in facilitating and challenging the social constructions of race, class, gender, and sexual orientation in U.S. culture.
Showing posts with label Masculinity. Show all posts
Showing posts with label Masculinity. Show all posts

Wednesday, December 9, 2009

Men of the Square Table: A SCWAMP Analysis

By Jasen Sokol




The SCWAMP method of analysis can be a useful tool in the analysis of media. According to Grinner (2004), SCWAMP analysis is an intersectional framework, meaning that the “ideological positions [straight, Christian, White, able-bodied, male, and property holding] are interconnected and relational” (200). Grinner also noted that the relationships “are shaped and affected by the society in which they are embedded” (200). The Miller Lite “Men of the Square Table” ads are a good candidate for such an analysis as they are debates about “Man Law,” or rules that men should follow in order to be proper men. The debates take place inside of a glass cage located in what appears to be an empty warehouse. Aired in 2006 and 2007, these ads are clearly geared toward men and perpetuate the idea that straight, White, Christian, able-bodied, male, and property-owning people are the dominant force in society.

S-Straight
The Men of the Square Table are considered to be highly masculine celebrities. Some of these men include retired Pittsburgh Steeler Jerome Bettis, actor Eddie Griffin, professional rodeo cowboy Ty Murray, and professional wrestler Triple H. All of these men are straight. In addition, they tend to frown upon things seen as feminine. For example, the “Double Man Law” states that it is not acceptable to leave a game early to beat traffic, nor is it acceptable to bake anything on game day. Clearly, the feminine is devalued. In many cases, men frowning upon acts that are seen as feminine can be viewed as homophobic. One such instance involves a debate about whether or not it is acceptable to put a lime in one’s beer. The conclusion reached by the Men of the Square Table was that one should not “fruit the beer.” (Man Law, 2007). Since fruit is a slang term for a gay person, this was a veiled jab at the LGBT community.

C-Christian
All of the Man Laws discussed by the Men of the Square Table are seen as universal, so no discussion of religion takes place during the discussion of man laws. This makes sense because the man laws are actually promotions for Miller Lite beer. It would be unwise of Miller to try to portray man law as being restricted to one religion, or portray a religion as being in violation of man law, because it could lead to a backlash by that religious group. However, one could argue that men writing laws into a book does have religious overtones. Just as the Man Laws were written into a book that all men are expected to follow, the Bible was written by men and all Christians are expected to follow its teachings.

W-White
Although there are minority members of the Square Table, they seem to take ancilliary roles. The White characters take both of the lead roles in the commercials. Burt Reynolds is usually the moderator of the group, making the final proposal of man law to be written into the book of man laws by the scribe, an elderly white man. In addition, the Black characters argue strongly against the man laws more frequently than the White characters. An example of this can be seen in Jerome Bettis, who believes that it is okay to put a finger in a friend’s beer while carrying it from the bar, give high fives, and hit the top of a beer bottle with another bottle so that it overflows. Another example is a man of Hispanic descent who believes that it is acceptable to give high fives and to “fruit the beer” by putting a lime wedge in it. All of these actions end up either being in violation of man law or, in the case of the high five, exempt because there is no suitable replacement. This shows that the White Men of the Square Table are the dominant forces at the table.

A-Able Bodied
Many of the Men of the Square Table are athletes or are involved with some athletic activity. The only person at the table who could be considered not able-bodied is Aron Ralston, who had to cut off his own arm in the desert when a boulder fell on it. However, the act of cutting off one’s arm is considered manly. The most visible example of being able-bodied is Triple H, who airs his disagreements with man law by asking if he will no longer be able to rip his shirt off and then actually ripping his shirt off.
M-Male
Clearly, the man laws are geared towards men. They involve things that are considered manly, such as sports, drinking beer, giving high fives, and crushing beer cans on one’s forehead. However, light beer is usually seen as a feminine product. By crafting a campaign that is geared toward men, Miller is trying to portray light beer as a masculine product. This has been a growing trend lately, as light beers are now frequently seen in association with sports and rock music.

P-Property Owning

Despite the fact that most of the Men of the Square Table are rich and famous, they are not portrayed as such in the commercials. Instead, they are seen as working-class average Jjoes. This can be seen through their casual dress and the use of men such as Ty Murray and Jimmy Johnson who have a southern accent. The one exception to this is Burt Reynolds, who wears a suit and tie and speaks in a calm, professional manner. Reynold’s affluent appearance combined with his status as the leader of the Square Table shows the relationship between the have and the have nots in our society.

The Miller Lite Men of the Square Table commercials are clearly geared toward men and perpetuate the concept that straight, Christian, White, able-bodied, male, and property-owning people are the dominant group in our society.

References
Grinner, L. A. (2004). Hip Hop Sees No Color: An exploration of privilege and power in Save the Last Dance. In R. Lind (Ed.),Race/Gender/Media (, pp. 199-205). Boston: Pearson/Allyn & Bacon.

Man Law. (2004, January 14). Retrieved November 25, 2009, from http://www.youtube.com/watch?v=8RLCD-PpWqU

Monday, October 12, 2009

Craig Morgan's “I Am” and Male Stereotypes

Jasen Sokol



One popular criticism of popular music is that it perpetuates gender stereotypes. Although it is more common to see female stereotypes perpetuated than male stereotypes, it is not difficult to find such stereotypes in popular music. One song where it is somewhat difficult to find the perpetuation of stereotypes is Craig Morgan's “I Am.” Although there are instances in which male stereotypes are supported, the majority of the supported stereotypes are positive and many of the lines in the song denounce the negative stereotyping of men.

“I Am” is essentially an autobiographical country song. The lyrics consist of questions inquiring as to different personality traits that Craig Morgan possesses. At the end of each verse and the refrain, Craig emphatically responds “you bet I am!” These traits range from Morgan being a so-called good ol' boy to being down to Earth. Several of the traits that Morgan says he possesses, however, come in direct conflict with negative male stereotypes.

The first time that a negative male stereotype is quashed by Morgan is in the first line of the refrain. He asks, “[a]m I strong enough to cry?” The notion that men who cry are as weak is a key element of the schema that is the male stereotype. However, this element of the stereotype is problematic because it teaches men to hide their emotions. This can lead to a variety of problems ranging from difficulty making friends to post-traumatic stress disorder (United Press International, 2009; Salters-Pedneault)

Another important yet less-discussed stereotype that Morgan denounces through his song is that men tend to be unfaithful. It is not uncommon for males to be portrayed in the media as having multiple love interests. This can be harmful because Morgan denounces this stereotypes by singing “[a]m I a lover, a one-woman man, you bet I am!” By using this line in his song, he sends the message that it is okay to be famous and faithful.

Not all of the lines in “I Am” combat male stereotypes, though. In the second line of the refrain, Morgan sings “[a]m I weak enough to show my tender side?”. This line seems to perpetuate the notion that it is not acceptable for men to be emotional. This is a problematic line for two reasons. As was previously mentioned, suppressing emotions can have negative effects on a person's health. More importantly, however, is the fact that this line seems to contradictory to other parts of the song. It contradicts what Morgan sang in the line previous to it when he said that he is “strong enough to cry.” It also sends a conflicting message because he infers that it is acceptable to “show your tender side,” but uses the word “weak” to describe why he is able to do it. These conflicting messages may lead to some listeners to be confused about what the lyric actually means.

However, Morgan does sing about some male stereotypes that are considered favorable. He uses lines about whether he is “willing to take a stand” and “tough as nails when push comes to shove.” These lines signify that Morgan is encouraging men to be tough but not overly violent or aggressive. The media often does not portray men as such, as even Disney has portrayed many of its main male characters as violent and aggressive at times.

Although Craig Morgan’s song “I Am” is one of his lesser known songs, it has a more message about what it means to be a man than the majority of today’s popular music. It breaks through some of the stereotypes of men, including the notion that it is not acceptable to cry or be monogamous, and reinforces other traits such as being tough but not overly aggressive. Although there are conflicting messages at times, Craig Morgan did a very good job of cutting through some of the stereotypes that surround males today

Works Cited
Morgan, C. (n.d.) I Am. In Youtube.com. Retrieved September 29, 2009, from http://www.youtube.com/watch?v=lXmpHeKmr5Y.

Salters-Pedneault, K. (n.d.). Suppressing Emotions. In About.com. Retrieved September 29, 2009, from http://bpd.about.com/od/livingwithbpd/a/suppress.htm.

United Press International (July 25, 2009). Study finds suppressing emotions can hurt. In UPI.com. Retrieved September 29, 2009, from http://www.upi.com/Science_News/2009/07/25/Study-finds-suppressing-emotions-can-hurt/UPI-36381248566093/